The publication of Performance Studies:An Introduction was a defining moment for the field. Richard Schechner’s pioneer- ing textbook provides a lively and. Welcome! Welcome to the online resources for Richard Schechner’s Performance Studies: An Introduction. Here you’ll find: Video instruction from the instigator. 28 Feb Performance Studies: An Introduction (3rd ed.) Richard Schechner and Sara Brady. Routledge, pages with integrated companion.
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Contents 1 What is Performance Studies? An Introduction provides a welcome addition to a field that has intentionally defined itself loosely for the last twenty-odd years.
Likewise, in his chapter “Performing,” Schechner includes a briefbiography of Timothy McVeigh, whom he describes as an “American terrorist” This collision of performance, the performative, and politics is sometimes bracing and sometimes jarring. Richard Schechner’s pioneering textbook provides a lively and accessible overview of the full range of performance for undergraduates richarx all levels and beginning graduate students in performance studies, theatre, Fully revised chapters with new examples, biographies and source material provide a lively, easily accessible overview of the full range of performance for undergraduates at all levels in performance studies, theatre, performing arts and cultural studies.
Performance Studies: An Introduction – Richard Schechner – Google Books
In this second edition, the author opens with a discussion of important developments in the discipline. For the most part, Schechner’s erudite, encyclopedic knowledge of world performance forms and their study gives the reader a wide range of examples, a deep level of detail, and a refreshingly invested, often polemical argument about what it might mean to be a theorist or practitioner of the field he introduces.
Routledge- Performing Arts – pages. He is the general editor of the Worlds of Performance series published by Routledge and the co-editor of the Enactments series published by Schecchner Books. The publication of Performance Studies: The Journal of Performance Studies.
Contact Contact Us Help. The book itself has also been revised, with 25 new extracts and biographies, up-to-date coverage of global and intercultural performances, and further exploration of the growing international presence of Performance Studies as a discipline.
An Introduction Richard Schechner Limited preview – Essays on Performance and Culture Unlike most textbook authors, who remain obscured by the information their work makes available, Schechner introduces his perspective and his “self’ in the very first chapter.
Fully revised chapters with new examples, biographies and source material provide Supporting examples and ideas are drawn from the social sciences, performing arts, poststructuralism, ritual theory, ethology, philosophy, and aesthetics. Richard Schechner’s pioneering textbook provides a lively and accessible overview of the full range of performance for undergraduates at all levels and beginning graduate students in performance studies, theatre, performing arts, and cultural studies.
An Introduction Richard Schechner Limited preview – Project Iintroduction Mission Project MUSE promotes the creation tichard dissemination of essential humanities and social science resources through collaboration with libraries, publishers, and scholars worldwide.
He finds examples of the field and its methods embodied almost everyWhere, charting an intellectual trend that is quickly revising the language of theatre studies to incorporate the connotatively sexier, fresher. There is no finality to performance studies, introductlon theoretically or operationally ” I.
Forged from a studifs between a university press and a library, Project MUSE is a trusted part of the academic and scholarly community it serves. Schechner’s critical, clearly progressive attention to political issues lends the textbook vigor and verve, while at the same time making for some curious Modern Drama, As a result, the genesis narrative Schechner tells, cemented by its authorization as “textbook,” too studiex forgets its own partiality and too easily elides theorists.
His closing chapter, ‘Global and Intercultural Performance’, is completely rewritten in light of Schechner identifies himself as the field’s progenitor, and this rather patriarchal authority is only sometimes chafing. My library Help Advanced Book Search. He insists immediately, “[TJhe field is wide open.
scchechner For example, in the globalization chapter, Osama Bin Laden’s biography appears above President Bush’s, in a shaded gray boxand Schechner uses another box to define “anthrax” Performacne those teaching performance studies, Schechner tells a richardd history, engages the multiple discourses that have produced the field and vice versaand lays out precise, useful methods for thinking about or applying performance studies’ various theories and practices. In lieu of an abstract, here is a brief excerpt of the content: While I admire Schechner’s effort to destabilize himself as the sole authority over the field, the textbook genre itself thwarts his plan and ultimately reinscribes him as the “author-god,” not just of the text, but in many ways of performance studies.
Essays on Performance and Culture An Introduction also includes the following features: Supporting examples and ideas are drawn from the social sciences, performing arts, post-structuralism, ritual theory, ethology, philosophy and aesthetics.